Bethesda, Maryland, 1981-1986
Dan Eilenberg – guitar, vocals
Mark Lerner – bass
Ken “Bidjje” Kavanaugh – drums
Jonathan Lipson – drums
Adam Gibbons – drums
Stephen Lewis – guitar
Billy Simms – guitar
Sam Jannotta – keyboards
Dave Robinowitz – keyboards
Jim Levy – keyboards
I’m going to get so much wrong here. For a variety of reasons many of the details in this entry are very foggy for me. So let me get a few things right, here at the beginning.
Dan Eilenberg taught me more about listening to and playing music than anyone else I’ve ever known. It’s like he’s the imaginary listener for just about any piece of music I write or record. Listening back now to the music we made together as kids I hear a frightening amount of what I think of as me, and realize it came from him. He pushed tons of classic sixties pop music on me (anyone who knows Dan will know that “pushed” is an apt description): The Kinks, the Beatles, the Band, the Byrds, the Temptations, the Supremes, Creedence Clearwater Revival. All stuff that’s pretty much the basis of my musical vocabulary now.
This entry covers 3 or 4 “bands,” but I honestly can’t tell the difference between them. Dan and I started writing songs together in 11th or 12th grade, and we’d play and record them with various folks. None of the bands really played many shows. We just wanted to be world-famous songwriters. So this entry is about our songwriting partnership more than any band.
Bethesda, Maryland, 1980-1982
Craig Lapine – guitar, vocals, saxophone *
Jon Lipson – drums **
Stephen Lewis – lead guitar ***
Mark Lerner – bass
* Only once for the saxophone. Bad idea.
** And marimba on a couple of songs
***And drums when Jon played marimba
As I’ve mentioned to in an earlier post, in 10th grade I exchanged my Led Zeppelin and Cream records for the Stiff Records catalog and early records by the likes of Joe Jackson and the Police. I also started playing in the Nitz, formed by Craig Lapine, who was a year ahead of me in school. He seemed very grown up. He’d make a joke I wouldn’t understand and I’d nod and laugh and then look up the words in a dictionary later. Most importantly, Craig wrote his own songs. This required that I figure out something to do on bass, since there was no Bill Wyman or John Paul Jones bass line to copy.
Rounding out the band was my closest friend, Stephen Lewis (also newly escaped from Atlantis), on guitar, and Jon Lipson on drums.
We all chipped in and bought a sparkly blue “tuck and roll” Kustom PA system and parked it in Jon’s parents’ basement where we rehearsed.
1979 to 1982, Bethesda, Maryland
Every band means: Every. Band. So let’s go back to 1979.
I had been playing bass for about 2 years when I got to high school. Since third grade, I’d played trumpet in the school band, but when I entered high school in tenth grade, I gave up the trumpet. We returned it to the place we’d rented it from for seven years.
The jazz band at our school, or stage band, as it was called, was a class. I think it was pretty early in the day, like 2nd period. I remember eating my bag lunch in the class and then buying another lunch at lunchtime nearly every day.
A piano player named Sam Jannotta and I were allowed in as tenth graders, and for that first year we stuck to each other closely, since everyone else was older and seemed better than us. There was another piano player and two other bass players, so we’d both get the last choice of songs to play on.